Article discusses the so-called "Kuleshov Effect" pioneered by early Soviet filmmakers, and analyzes its relevance to today's cinema.

Biography of this early Soviet director and cinematographic pioneer supplements a film history course at Wabash College in Indiana.

Article attempts to distinguish montage from editing, and uses the theories of Sergei Eisenstein to illustrate the difference.

Read a history of the Soviet filmmaking movement that aimed at creating meaning through intellectual montage. Includes an analysis of "Strike."

Lengthy academic essay on Lev Kuleshov's 1933 sound film includes discussion of that director and theorist's career.